Q: What do you think are the advantages and disadvantages of comedy on Twitter?

A: Both the best AND worst thing about Twitcom is the fact it’s not been tried before and it might not work.

Q: Have you figured out how to get your comedy songs across in Tweet form?

A: I think so – it’s gonna require a temporary artistic compromise, but it ought to work. I’m not going to do anything to be ashamed of, it’s just I’m going to have to bend my own “rules” a little.

Q: How do you plan to deal with any hecklers?

A: I’ll probably ignore them. Quite looking forward to having the option.

Q: What’s your best and worst moment in stand-up?

A: Worst was probably being sent out busking by the Comedy Store to promote the Manchester Comedy Fest in 2001. That was dignified. Best was possibly my first proper set at Glastonbury, quite a while ago.

Q: What are your favourite subjects, pet hates or things to avoid in comedy material?

A: There are no hack topics, just hack material. Someone like Micky Flanagan can do fresh stuff about the most obvious subjects. As regards ‘offensive’ comedy, I maintain there’s no such thing as anything TRULY offensive isn’t funny.

Q: Who or what are your comedy influences?

A: my principal inspiration as a comic songwriter is Tom Lehrer.

Q: Do you feel that your comedy style has evolved over the years?

A: I hope so. It’s very important to keep developing. If you decide you’re the finished article you’re in trouble.

Q: Do you think Twitcom night will be a one-off or the first of many?

A: It’ll depend on how well it works, and the fact it may not is one of the most interesting things about it.

Q: It sounds as if you like the idea of taking part in something a bit different and experimental?

A: Yes, I like to do different and unusual stuff, it keeps things interesting.